"His technique is quite complex and dangerous, it’s based on Kirlian photography. He places flowers and leaves on a color transparency film, on top of that he lays plexiglas with a sheet of metal in between, floating in a liquid silicone. Then he hits everything with an electric pulse which causes the coronas and outlines to appear on the film. The last step he needs to do, is hand-painting it with a white light coming from an optical fiber. It can take up to 150 attempts to get this right."
Tuesday, November 10, 2009
Robert Buelteman
Buelteman makes these great photograms that initially reminded me of James Welling and his colored nature photograms, but seeing more of his work I have to say that I like Buelteman's much better. I was really interested in finding out how Buelteman was able to make these images and I found this:
"His technique is quite complex and dangerous, it’s based on Kirlian photography. He places flowers and leaves on a color transparency film, on top of that he lays plexiglas with a sheet of metal in between, floating in a liquid silicone. Then he hits everything with an electric pulse which causes the coronas and outlines to appear on the film. The last step he needs to do, is hand-painting it with a white light coming from an optical fiber. It can take up to 150 attempts to get this right."
"His technique is quite complex and dangerous, it’s based on Kirlian photography. He places flowers and leaves on a color transparency film, on top of that he lays plexiglas with a sheet of metal in between, floating in a liquid silicone. Then he hits everything with an electric pulse which causes the coronas and outlines to appear on the film. The last step he needs to do, is hand-painting it with a white light coming from an optical fiber. It can take up to 150 attempts to get this right."
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